She
Won’t Reveal
Nidhu Bhusan Das
This is where she lives and
will die. Born and brought up in Kolkata, Anasuya Chatterjee has made this
Himalayan hamlet her home. She is almost a recluse, away from parents and near
and dear ones.
“I
like the place and the people here.”
“How
come, you have chosen this forest village?”
“For
its pristine character.” She was candid.
“Looks,
it’s haunted”, I said and felt so in a winter afternoon.
She
smiled and her triangular face shone as she asserted,” This is the place for
me.”
She lives alone in a hamlet in
the Assam Himalayas, far from her hometown Kolkata. She likes the tranquility
of the shady haunt where she owns a sprawling bungalow, once a residence of a
British national. Anu, short for Anusuya, is now an LIC officer, somewhere in the
North-east. She drives to office in the town from the village she has made her
own for it is under green cover and secluded. When asked she says: “I like
seclusion, and simple people here. See, how beautiful the few people around.
They have values which I have come to like. They are different from city people,
and have love and devotion.” I understand she appreciates the pristine glory of
the Assam Himalayas and its aborigines. An alumna of a central university in
the national capital, Anu has, obviously, turned stoic and developed tremendous
fortitude at this age. Last 10th September she turned 27.
Anu is lonely, always. In
childhood she would spend hours alone in a corner of her own room, play with
herself, draw pictures and look out to observe and count the ivy leaves on the
wall across the street. Sometimes, she would go to her grandma’s room to listen
to folktales.Thammi (grandma) would never say ‘no’ to the request for a tale or
story of her days with grandpa. In fact, thammi was the only friend and
companion of Anu in the house. She could scarcely have the company of her
doctor parents who were damn busy in profession. Only once did her papa take
her to Babughat, Kolkata to show her the immersion of the idols of Devi Durga,
which is a great event in Bengal enjoyed by millions of people.
“Don’t
you visit your home town and parents from time to time?”
“No,
and will never”, she said with accents on the negatives, over the cup of black
coffee she arranged for me.
“Why”,
I wanted to know, quite foolishly.
“Let
the world know I will never go back to the plains”, she snapped, determined.
“Don’t
you feel nostalgic”, I enquired to pacify her, as I understood she was
disturbed at the mention of the hometown.
“I
have forgotten my past, and would like to keep it buried”, she said as her face
stooped a bit and the eyes glistening with tears she tried to hold back.
I decided I should revert to the
topic of places of tourist interest in her area and beyond. I went to the area
as a tourist and one late afternoon I stopped in front of her bungalow as I was
told there resides a young Bengali officer of the LIC from Kolkata, also my
hometown. I could not but have a desire to interact with someone in my mother
tongue. Though unknown, I sent a message through the gardener. Within minutes
she emerged from the bungalow smiling, and reached the gate to welcome me.
“ I’m Amal Bose from Kolkata, a
tourist,” I introduced myself with a namaskar.
Greeting me,she said, “ I’m Anusuya Chatterjee.”
She took me to the drawing room,
furnished and well maintained. A Picasso spread on the front wall, two Da
Vincis on side walls almost look like frescos, and suggests she is a
connoisseur of art. A mandolin and a guitar are kept with care leaning against the
back wall. The floor is covered with Kashmiri carpet rich with flower and folk
motif.
Clad in casuals, she politely took
leave of me and went inside. She reemerged, and her domestic help followed with
snacks and coffee. She herself served the delicacies. I politely said it was
not necessary. She said it was time for her to have coffee, and I must be
exhausted after the trek. Her humility was inspiring. I said,” It appears your
favourite pastime relates to involvement in cultural activities.” She smiled
and said,” How do you know?” I pointed to the paintings on the walls and the
two musical instruments. She said,” No, I have no taste for them now.” And her
smile receded for a moment.” Once you might have the taste,” I said, hesitant.
“How do you like the place?” she asked to divert. I told her of my experience
in the hills and the lure of the idyllic beauty of her area. She was pleased
and satisfied, perhaps, thinking that she had chosen the right place to live.
Should I say she is romantic in her decision to return to Nature from urban
civilization? Or she is just willing to live a quiet life in the tranquility
that prevails here. I spent about an hour with her that afternoon. I found she
was reticent and quite thoughtful. I understood her smile masks something which
she could not share. I departed at sundown. She invited me to lunch the next Sunday
and said we would have breakfast together at 9 in the morning.
As I mounted the rented car, she
waved to me. The car rolled on and her words” No, I have no taste for them now”
rang in my ears. What went wrong that she could no longer enjoy painting and music,
I thought. I remembered the story of Sudha Chandran who came back to the stage
through sheer determination with a Jaipur foot after her leg was amputated
following an accident. Why then is this girl so apathetic to painting and music?
She evaded my query regarding her taste for the arts. I began to ratiocinate.
“Does
she lack determination?”
“No,
that can’t be. She has enough determination not to go back to the plains.”
“What
could be the cause?”
“This
must also be a determination.”
“Was
she rebuffed somehow, somewhere?”
“If
so, she wouldn’t, possibly, demonstrate her liking in the drawing room.”
“One
rebuff couldn’t be the cause of her losing interest in the two arts.”
“Well,
why is she determined not to go back to the plains?”
“The
answer may be there”, I decided.
Sometimes it happens, failed
love leads to such kind of renunciation of sorts. A revolt against parental
neglect also prompts decision to remain outside and away from family life. So,
she may feel the sylvan glory of the place far away from Kolkata is her
attraction. She finds the abode an ideal place for her to hide from the world
she is fed up with.
At home, when abed, resting, Anu,I am told, listens to gazals. During my
weeklong stay in the nearby town, I often interacted with her in the evening
and found she was stoically nostalgic. She confided to me that she often
listens to this gazal by Mohammed Rafi:
Yeh Na Thi Hamari Quismat,Ke Wisaal-e-yaar Hota,
Agar Aur Jeete Rehete,Yahi Intazaar Hota,
Tere Waade Par Jiye Ham,Tho Yeh Jaan Jhoot Jana,
Ke Kushi Se Mar Na Jaate,Agar Aithbaar Hota,
Yeh Na Thi Hamaari Quismat…
Koi Mer Dil Se,Puche,Tere Teer-e-niim Kashko,
Voh Khalish Kahan Se Hoti,Jo Jigar Ke Paar Hota,
Yeh Na Thi Hamaari Quismat…
( It was not my destiny, to unite with my beloved,
Had I been still alive, this was what I would have waited for.
Your vow kept me alive, and you reckoned it was a lie,
Wouldn’t have I died of happiness, if you had trusted me;
It was not my destiny ……..
Had any one asked my heart, about the arrows emanating from the bows of your half closed eyes,
Where from would that sting come, which had pierced across my heart?
It was not my destiny ……..)
Gazal, she says, is one of her favourite genres of song. But Why? She wouldn’t reveal. A Gazal, you know, is a poetic expression of the pain of loss or separation, and the beauty of love despite the pain. It deals with an illicit or unattainable love. This love may be directed to a man or a woman. It may or may not have an explicit element of sexual desire expressed through it. Is she lovelorn? It is not known, can only be guessed at this moment. (continued on 1 January 2014)
Had I been still alive, this was what I would have waited for.
Your vow kept me alive, and you reckoned it was a lie,
Wouldn’t have I died of happiness, if you had trusted me;
It was not my destiny ……..
Had any one asked my heart, about the arrows emanating from the bows of your half closed eyes,
Where from would that sting come, which had pierced across my heart?
It was not my destiny ……..)
Gazal, she says, is one of her favourite genres of song. But Why? She wouldn’t reveal. A Gazal, you know, is a poetic expression of the pain of loss or separation, and the beauty of love despite the pain. It deals with an illicit or unattainable love. This love may be directed to a man or a woman. It may or may not have an explicit element of sexual desire expressed through it. Is she lovelorn? It is not known, can only be guessed at this moment. (continued on 1 January 2014)
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